Colour & Space. Interfaces of Ancient Architecture and Sculpture.: Proceedings of the 10th International Round Table on Polychromy in Ancient Sculpture and Architecture

Chapters

• Colour and Space: Old Questions – New Answers?
  Stephan Zink
  DOI: https://doi.org/10.34780/hhs2v947
• The Frieze of the Siphnian Treasury at Delphi : Interactions between Colour and Space in a Panhellenic Sanctuary
  Matthias Alfeld, Philippe Jockey
  DOI: https://doi.org/10.34780/2pfm1p32
• Finding Colours on Pre-Roman Iberian Sculpture and Architecture
  Miguel F. Pérez Blasco, María Belén Deamos, Teresa Chapa Brunet
  DOI: https://doi.org/10.34780/fx9wrj48
• Marbles and Metals in the Forum of Augustus in Rome: a Unitary Project and its Polychromy
  Lucrezia Ungaro
  DOI: https://doi.org/10.34780/74y1qh43
• Exploring Ancient Colour at the Villa dei Papiri at Herculaneum: the Peplophoros and its Setting
  Marie Svoboda, Kenneth Lapatin, Francesco Sirano, Elisabetta Canna, Paola Marraffa
  DOI: https://doi.org/10.34780/3f222g69
• Painted Marble Sculptures and their Broader Context in the Villa of Poppaea at Oplontis
  Susanna Bracci, Donata Magrini, Rachele Manganelli Del Fà, Roberta Iannaccone, Sara Lenzi, Giovanni Bartolozzi, Paolo Liverani
  DOI: https://doi.org/10.34780/ecwtx108
• Wall Decorations and Polychromy in Hellenistic Houses
  Elena Walter-Karydi
  DOI: https://doi.org/10.34780/17vfr194
• Hermogenes in Colour – Magnesia, Didyma, and other ‹Polychrome White› Temples
  Lothar Haselberger
  DOI: https://doi.org/10.34780/c4k1kt30
• The Mid-Republican Temple A at Largo Argentina in Rome: Colour, Form, and Culture
  Jens Pflug, Monica Ceci, Jana Hainbach, Ina Reiche, Stephan Zink
  DOI: https://doi.org/10.34780/ssjkct51
• Creating Sacred Spaces Through Colour Choice in the Roman-Egyptian Tombs of Terenouthis
  Caroline Roberts
  DOI: https://doi.org/10.34780/c3qbyk34
• Σκιά and χρῶμα – The Importance of Preliminary Drawing
  Paolo Liverani
  DOI: https://doi.org/10.34780/8g07xf66
• Purple for the δῆμος: Art and Luxury in Greek Coroplastic Polychromy of the 4th–3rd century B.C.
  Adriana Rizzo, Marco Leona, Josefina Pérez-Arantegui, Nobuko Shibayama, Violaine Jeammet, Federica Pozzi, Yannick Vandenberghe, Maria Perla Colombini, Brigitte Bourgeois, Ilaria Degano, Giovanni Verri, Federico Carò, Elena Basso
  DOI: https://doi.org/10.34780/cxazn328
• The Colours of the Circus: a Prolegomenon to the Semantics of Faction Colours
  Frederik Grosser
  DOI: https://doi.org/10.34780/r2075r72
• The Colour Black and the Sculpture of Classical Antiquity : Shades of Meaning in an Architectural Context
  Jan Stubbe Østergaard
  DOI: https://doi.org/10.34780/1vfxsb87
• Coloured Medieval Sculpture: Blue, Red, and Gold Between East and West
  Paola Antonella Andreuccetti, Silvia Pedone
  DOI: https://doi.org/10.34780/nzw2zg61
• Dressed for Battle: Investigations of an Etruscan Architectural Gigantomachy
  Giovanni Verri, Rachel Sabino, Katharine Raff, Clara Granzotto
  DOI: https://doi.org/10.34780/p87sda83
• New Research on the Polychromy of an Archaic Grave Stele and Finial in the Form of a Sphinx in the Collection of The Metropolitan Museum of Art, New York
  Marco Leona, Federico Carò, Elena Basso, Dorothy H. Abramitis, Sarah Lepinski, Seán Hemingway
  DOI: https://doi.org/10.34780/ttgwxn57
• News from the Pilina Research Project: Identifying a Lime Painting Technique on Greek Terracotta Figurines (4th-3rd cent. BC)
  Violaine Jeammet, Yannick Vandenberghe, Brigitte Bourgeois
  DOI: https://doi.org/10.34780/sd807j11
• The Polychromy of English Medieval Alabaster Panels Preserved in Aquitaine (France) : From Material Analysis and Experimentation to Physical and Digital Reconstruction
  Aurélie Mounier, Markus Schlicht, Maud Mulliez
  DOI: https://doi.org/10.34780/nm3qas18
• Epilogue: Answers, More Questions, and Ways Forward
  Stephan Zink
  DOI: https://doi.org/10.34780/x47we615