Göbekli Tepe: The Imagery of the Pillars in the Monumental Buildings A-D, F and H. With contributions by Laura Dietrich, Tilman Müller, Jens Notroff,Joris Peters, Nadja Pöllath, Julia Wagner and Sebastian Walter
https://doi.org/10.34780/j669-7s9d
Synopsis
This scholarly volume offers the first comprehensive presentation of the imagery carved on the T-shaped pillars from the monumental special-purpose buildings of the Early Neolithic UNESCO World Heritage Site of Göbekli Tepe in present-day south-eastern Türkiye uncovered between 1995 and 2023. These monolithic pillars are examined not only as striking architectural elements but as carriers of an extensive visual repertoire rendered in high and low relief.
Set within their archaeological and architectural settings, the reliefs open new perspectives on the symbolic worlds, belief systems, and narrative traditions of Early Holocene hunter-gatherer communities in Upper Mesopotamia. For this publication, every carved motif has been systematically re-examined, allowing for revised identifications of animal taxa, updated quantitative assessments, and refined interpretations.
With the complete presentation of the reliefs and their critical reanalysis, the book advances new readings of Neolithic imagery and its possible meanings. As such, it provides an essential reference for researchers interested in early monumentality, symbolic communication, and the challenges of interpreting a fragmented yet exceptionally rich archaeological record.
Keywords:
Göbekli Tepe, architecture, belief systems, hunter-foragers, Early NeolithicChapters
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Editorial Archaeologica Euphratica
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Preface of volume editors
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1 Introduction
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1.1 The site
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1.2 Update on the stratigraphy
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1.3 Past research on the pillars and their reliefs
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2 The image carriers and the identification of image contents
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2.1 Method, scope, and limits of interpretation
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2.2 The T-shaped pillars: Anthropomorphic representations or anthropomorphised image carriers?
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2.3 Taxonomic, anatomical, and ethological assessments of the depicted vertebrates
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2.4 Arthropods
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2.5 Representation of plants and landscapes
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2.6 Representation of architecture
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2.7 ›Small signs‹
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2.8 Anthropomorphic depictions
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3 The pillars in context
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3.1 Building A
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3.2 Building B
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3.3 Building C
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3.4 Building D
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3.5 Building F
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3.6 Building H
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3.7 Decorated pillar fragments
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4 Towards a contextualised interpretation
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4.1 Location, position, and categorization of images
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4.2 Image choice and layout
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4.3 Interpretation 1: Animistic/ shamanistic ontologies, transient humananimal identities , tension-aggressiondeath- transformation
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4.4 Interpretation 2: Territoriality – Ancestor worship
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4.5 Concluding remarks
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5 Scanning and 3D-modelling of the T-pillars at Göbekli Tepe